For instance, the 19-2 writers’ room intensive doesn’t translate to live coverage like David S. Goyer’s session does. The intensive focuses on a hypothetical third-season episode. Those who don’t watch 19-2 walk into the session blind. Those who do watch 19-2 understand that an officially-announced renewal, or a cancellation, hasn’t publicly happened. The main objective of the 19-2 writers’ room intensive is to detail how an episode is hashed out, and how the show’s serialized nature differs from other police procedurals. The writers’ room intensive is a new feature at the Toronto Screenwriting Conference, one that should become yearly.
Bruce M. Smith (19-2) and Tom Hastings (Bell Media) (Writers’ Room Intensive)
Mara Brock Akil (Girlfriends, The Game, Being Mary Jane)
David S. Goyer (Blade, Batman Begins, Man of Steel)
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